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Rising Stars: Meet Wayna Wondwossen of DC & Surrounding Areas

Today we’d like to introduce you to Wayna Wondwossen.

Wayna, we appreciate you taking the time to share your story with us today. Where does your story begin?
I immigrated to the United States from Ethiopia as a toddler with my mother after we fled the communist revolution that had plunged our country into fear and violence. We were among the fortunate few who found safety, but our new life in America came with its own challenges. My mother worked two jobs while attending school at night, determined to create opportunities for us that had been impossible back home.

Watching her perseverance shaped the way I thought about success. I knew I wanted a career that was more than a paycheck—that if I was given opportunities so many people I loved had been denied, I wanted to use them to make a meaningful contribution.

That purpose came into focus when I watched a documentary about the making of We Are the World. I was captivated not only by the music, but by the idea that artists could use their voices to bring people together, inspire action, and shine a light on issues larger than themselves. In that moment, I knew I wanted to create music that moved people emotionally while also moving them toward greater empathy, understanding, and hope.

I’ve been fortunate to spend my career pursuing that vision, and it continues to inspire everything I create today.

Would you say it’s been a smooth road, and if not what are some of the biggest challenges you’ve faced along the way?
It has been anything but a smooth road, but nothing that pushes you to grow or tap into some level of your greatness is. I’ve had many disappointments, record deals that fell through, managers and collaborators who prioritized other opportunities, creative feedback that was hard to hear, and financial ups and downs that required humbling myself after big wins I thought would change the course of my career forever. It’s all been part of a process of growing for me into the kind of creator and woman who has a story to tell and an authentic voice through which to tell it. I wouldn’t trade who I am today for the challenges I’ve walked through to arrive here. One could not exist without the other.

Can you tell our readers more about what you do and what you think sets you apart from others?
I am a GRAMMY-nominated Ethiopian American singer-songwriter, storyteller, producer, and creative strategist whose work explores the intersection of music, identity, culture, and social change. Whether writing songs, developing live performances, producing cultural programs, or creating public-facing projects, I am drawn to work that helps people better understand themselves and one another.

Musically, I specialize in soul, R&B, jazz, and African-influenced music, often blending traditions that are rarely heard together. My current work explores the connections between Ethiopia’s centuries-old azmari improvisational tradition and contemporary Black American musical forms, revealing shared histories of storytelling, resilience, and communal creativity.

Throughout my career, I’ve believed that music can do more than entertain—it can build empathy, challenge assumptions, and create meaningful dialogue. That belief has shaped my work as a performer, former White House writer, TEDx speaker, and co-creator of the GRAMMY Award for Best Song for Social Change.

What I’m most proud of is building a career that bridges seemingly different worlds: art and public service, African and American traditions, performance and policy, creativity and community engagement. Those experiences have allowed me to create work that resonates across cultures while remaining deeply personal.

What sets me apart is that I don’t simply perform music—I use storytelling, cultural exchange, and collaboration to create experiences that invite audiences to participate, reflect, and connect. My goal is to leave people not only moved by the performance, but changed by the conversations and relationships it inspires.

We’d be interested to hear your thoughts on luck and what role, if any, you feel it’s played for you?
Good luck has helped me meet collaborators who changed how I create and perform, expanding the well of possibility I draw from. It has helped me encounter stories of other artists whose paths I’ve followed and led to opportunities I wouldn’t have known to pursue on my own. It has given me hope that even if I don’t know the answer and have exhausted my resources, if I am clear, intentional, and proactive about my goals, the right answers will find me. I just have to keep moving.

Bad luck has taught me the direction or timing that is not right for me.

Contact Info:

Two people on stage, one in a red outfit and the other in black and red, smiling and holding hands.

Woman in a shiny, striped dress singing into a microphone on stage with blue lighting.

Two women smiling and holding hands across a table, engaging in conversation, with notebooks and pens nearby.

A woman singing passionately into a microphone on stage, with musicians in the background, in black and white.

Woman with curly hair holding a microphone on stage, illuminated by bright lights, looking upward.

Smiling woman with curly hair in a white dress extending her right arm, against a white background.

Smiling woman sitting on a white vintage-style chair, wearing a white dress with floral embroidery, jewelry, and bracelets.

Three women singing into microphones on stage, with one woman in the foreground and two in the background, in black and white.

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