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Rising Stars: Meet Charles Philippe Jean-Pierre

Today we’d like to introduce you to Charles Philippe Jean-Pierre. 

Alright, so thank you so much for sharing your story and insight with our readers. To kick things off, can you tell us a bit about how you got started?
I moved to DC in 2006 to pursue a Master’s Degree. I started cjpgallery.com while I was in graduate school and got my first commercial space at 52 O st Studios in 2015. we’re currently houses in STABLE Arts across North Capitol Street 

Would you say it’s been a smooth road, and if not, what are some of the biggest challenges you’ve faced along the way?
It was a struggle finding space then it was a struggle to find bigger space to grow the business. Then finding qualified dedicated talent. I always know exceptional talent will move on to bigger and better things. Human capital is the life source of this business. I helped apprentices find jobs in education and museums. I find pride in knowing my atelier is a stepping stone in helping students pursue their passions like I’ve been able to pursue mine. 

Thanks – so what else should our readers know about your work and what you’re currently focused on?
I’m an artist, educator, and community custodian. I specialize in abstract and figurative mono-print collages. The lines, spaces, and gaps in my work represent the absences felt growing up in an immigrant home. My practice recognizes the erasure of our complex histories and challenges the narrative that we are perpetual outsiders.  My work attempts to create the informed cultural context needed to make sense of the American connection to the Caribbean, and vice versa. It’s important for me to situate counter-narratives within my conceptual works. I’m most proud of my Travel and international exhibitions. A global outlook is an essential part of my practice. I use it as inspiration for my intersectional works. 

Networking and finding a mentor can have such a positive impact on one’s life and career. Any advice?
Going to Howard University was one of the best decisions of my life. We don’t call it networking. It just is what it is. I think reading and having a core foundation for what’s going on in the world has opened doors for me more than knowing about particular artists or art history. Those things are fundamental, but who are you outside of art? I think the most interesting people are individuals who know a bit about everything. 

Contact Info:

Image Credits
Jeremy Joseph

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