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Daily Inspiration: Meet Joy Schreier

Today we’d like to introduce you to Joy Schreier.

Hi Joy, thanks for sharing your story with us. To start, maybe you can tell our readers some of your backstory.
I grew up in Columbia, Maryland, and knew from an early age that I wanted to be a pianist. Some of my earliest musical memories are of running through the halls at Peabody during MSMTA competitions, attending school concerts performed by the Baltimore Symphony Orchestra, and going to evening subscription concerts with my parents. Those experiences really shaped my sense of what a life in music could look like.

As I continued my training, I found myself increasingly drawn to working with singers, which eventually led me to specialize in accompanying and vocal coaching.

I left the area to continue formal training and earned my Doctorate in collaborative piano from the Eastman School of Music, but I always intended to return to the DMV. I came back in 2003 and have since built a career as a collaborative pianist and classical vocal coach.

I’m sure it wasn’t obstacle-free, but would you say the journey has been fairly smooth so far?
I wouldn’t describe it as a “smooth road,” but the challenges haven’t been dramatic obstacles so much as the constant, nonstop demands of the work itself. This is a career that requires relentless preparation, and that never really lets up.

I still practice hours every single day and there’s always pressure to be ready for what’s next. A portfolio career like this means preparing for multiple gigs at the same time. It’s not unusual to come home exhausted after playing a concert and still head straight into the practice room for the next day. It can be grueling.

There’s also the unpredictability of the calendar. Periods of intense activity are followed by the pressure to say yes to what comes next. The sheer volume of repertoire and the pace of the work can be overwhelming, and holding myself to a high standard through all of it has probably been the biggest challenge.

At the same time, that’s also what has shaped my career. I’ve always believed in being prepared, reliable, and easy to work with – showing up ready and treating people with respect and kindness. In this field, that kind of consistency matters just as much as talent.

As you know, we’re big fans of you and your work. For our readers who might not be as familiar what can you tell them about what you do?
I’m a classical collaborative pianist and vocal coach – meaning I work closely with singers to prepare them for performances, whether in a major operatic role or an intimate recital. Many of the artists I work with are performing both domestically and internationally, from the Metropolitan Opera in NYC to houses across Europe, so my work is deeply connected to the professional stage.

I specialize in language, style, and interpretation, helping singers refine their instruments, diction and performance practice. Because of my family heritage, I’ve become particularly known for coaching French repertoire, though I work extensively in French, German, and Italian.

Alongside coaching, I perform regularly in recital and recording projects. My first album, Confessions with soprano Laura Strickling, was nominated for a Grammy for best solo album. Our follow-up album, Legends, will be released later this summer.

I’m also on the music staff of the Washington National Opera as a pianist and assistant conductor, and I’m currently working on West Side Story which will open at the Lyric in Baltimore. In addition, I serve as pianist and assistant conductor of the Cathedral Choral Society, the symphonic chorus in residence at Washington National Cathedral, and I previously coached on the faculty at the Peabody Institute.

What I’m most proud of is the trust I’ve built with singers and colleagues. This field is incredibly collaborative, and I’ve always aimed to be someone who brings not just preparation and musical insight, but a sense of partnership and reliability. I think what sets me apart is that balance – deep attention to detail combined with a genuine commitment to supporting the artists with whom I work.

What does success mean to you?
For me, success is being consistently in demand and working at a high level, both in the caliber of projects I’m invited into and the standard I hold myself to at the piano. It’s not just about being busy, but about knowing I can meet and exceed the expectations of both my colleagues and myself. I’ve built my career not by being the most talented, but by never stopping learning and growing—and that’s something I intend to continue for my entire career.

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