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Rising Stars: Meet Aalim Abdul of Washington, D.C.

Today we’d like to introduce you to Aalim Abdul.

Hi Aalim, thanks for joining us today. We’d love for you to start by introducing yourself.
I’m originally from Washington, D.C.—more specifically, Prince George’s County, Maryland.

My love for music started early. I grew up in a home where music was a constant. My mom played a lot of gospel, R&B, soul, and neo-soul—especially on Saturday mornings during cleanups or on rides to the mall or IKEA. She also did hair in our basement, and I’d be down there listening to whatever she was playing while she worked. Some of my earliest memories are tied to those sounds—songs that caught my ear just by being in that space with her. Music was everywhere, and it stuck with me.

She had a friend, Miss Robin, who was a serious music lover and would share songs and stories with my mom. That knowledge got passed on to me and only deepened my curiosity. Over at my grandmother’s house, I got a different side of the spectrum—blues, country, and oldie but goodies. She wasn’t necessarily collecting records, but she always had something playing. That blend of influences really shaped my sound.

Even as a kid, I was obsessed. I asked for CDs as gifts, made playlists, burned CDs, and lived for music videos and 106 & Park. I loved to perform, and anything music-related—from karaoke machines to iPods—I wanted it. I didn’t know the word “curation” back then, but that’s exactly what I was doing.

I also had a real love for movie soundtracks. I naturally gravitated toward them—sometimes more than the actual films. Some of my favorite albums to this day are soundtracks. They felt like full experiences, like they were telling a story through sound. That definitely shaped the way I think about music and the emotional journey it can take you on.

Even when I was exploring other creative outlets like fashion design, music stayed at the center. I’d make playlists to inspire what I was working on. It’s always been my way of connecting—to myself, to other people, and to something deeper. So when I asked myself what I really wanted to do, music was the answer. DJing just made sense. I had the ear, I had the love—I just needed to learn the technical side. And once I did, everything clicked. Now I get to create experiences that bring people together and make them feel something. That’s what it’s always been about for me.

Would you say it’s been a smooth road, and if not what are some of the biggest challenges you’ve faced along the way?
Absolutely not—it’s been a journey. Even though I’ve always known music was my passion, it took me years to fully embrace it. I tried so many different things—fashion design, creative projects, hobbies I tried to turn into careers. Fashion, for example, was something I was good at and enjoyed, but it wasn’t a true passion. Once I started doing it for money, the love faded, and it became easy to walk away from.

I really struggled with feeling stuck. I’d see my peers finding their lane, growing in their careers, and I was constantly questioning why I couldn’t do the same. I was trying to force myself into paths that didn’t fit—just to feel like I was “making it.” It was frustrating and honestly pretty discouraging.

Eventually, I had to take a step back and ask myself, what do you actually love? I made a list, and music was at the center of almost every answer. That was the turning point. I realized I needed to stop running from it and figure out how to build a life around it. I knew I wasn’t going to be a singer or a musician, but DJing felt like the right fit. It brought everything full circle—my ear, my love for performance, my passion for curation. Once I stepped into that, things started to make sense.

Alright, so let’s switch gears a bit and talk business. What should we know about your work?
I’m a DJ and music curator, and what I really specialize in is creating experiences that make people feel something. My sets are rooted in R&B, gospel, hip-hop, rap, soul, and everything from the ’70s to now. I’m especially drawn to music that tells a story or sparks a memory—stuff that makes people sing along, dance, or just stop and feel. A lot of people tell me I have an ear that spans generations, and I take pride in that. I love being able to play something that hits for a 25-year-old and a 50-year-old in the same room.

I’m probably best known for my transitions and my taste. I play the songs you didn’t know you needed to hear, the ones that hit you in the chest or take you back to a moment. Whether it’s a basement party vibe or a rooftop brunch, I always bring intention to the sound.

What I’m most proud of is staying true to my ear and not compromising that just to chase trends. I’ve built something authentic, and people connect with it because it’s real. I’m not trying to be the loudest or the flashiest—I’m trying to create moments that last. What sets me apart is that I’m not just playing songs—I’m telling a story every time I touch a set.

Risk taking is a topic that people have widely differing views on – we’d love to hear your thoughts.
I definitely see myself as someone who takes risks—but it took a while to own that. For a long time, I thought I needed to follow a clear, stable path like everyone else seemed to be doing. But that wasn’t working for me. So the biggest risk I’ve taken was betting on myself—walking away from jobs, walking away from what felt “safe,” and deciding to pursue music full-time. That was scary. There was no blueprint, no guarantee, no security. Just faith and the love I have for this.

But I also think risk doesn’t always look like some big dramatic leap. Sometimes it’s the quieter decisions—choosing to stay true to your voice when it’d be easier to follow the crowd, choosing not to settle, or choosing to keep going when things feel uncertain. All of that is risk.

To me, risk is necessary if you want to live in alignment with who you are. Playing it safe didn’t get me anywhere. The moment I started moving with purpose—even when it was uncomfortable—that’s when things started shifting.

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